The BFI announces details of Edgar Wright’s London After Dark, a new season at BFI Southbank!

The BFI has announced full details of EDGAR WRIGHT’S LONDON AFTER DARK, a new season at BFI Southbank curated by director Edgar Wright, which will coincide with the release of his new film, LAST NIGHT IN SOHO, a glorious homage to 1960s Soho.

Taking place at BFI Southbank from 18 October to 29 November 2021, with selected films also available on BFI Player, the season of 10 films will introduce audiences to the work that inspired Wright’s latest film.

The season will also include two special screenings of LAST NIGHT IN SOHO (2021), which is released in the UK on 29 October 2021. There will be a preview on 21 October (with special guests to be announced), and a special screening on 31 October, followed by an in-person Q&A with Wright.

LAST NIGHT IN SOHO stars Thomasin McKenzie as Eloise, who leaves her life in a remote village to become a fashion student in London, where home becomes a top-floor flat amid Soho’s neon lights. Eloise soon learns that life in the capital is not without its dangers as she learns secrets about Soho in the past and must face some ghosts that are lurking in the present.


Thomasin McKenzie stars as Ellie in Edgar Wright’s LAST NIGHT IN SOHO, a Focus Features release.
Credit: Parisa Taghizadeh / Focus Features

Edgar Wright said:

“My new film Last Night In Soho was born out of a long-held desire to fashion a story set in an area of Central London that I’ve worked in for the last 25 years, a district that I love and sometimes fear. The 1960s casts a long shadow on Soho and I’ve long been fascinated with the films of the period that peek into the darker corners of central London nightlife. This season represents a broad range of some of the films that inspired me; dramas, horrors, thrillers, even documentaries (of sometimes dubious veracity). So, as the nights get longer, disappear down some dark alleys with me…”


Frenzy

Films chosen by Edgar Wright to screen in the season include the first of a series of ripped-from-the-headlines tabloid documentaries, WEST END JUNGLE (Arnold L Miller, 1961), which exposes the titillating, but more often tawdry, secrets of the oldest profession.

Another exposé of the ‘real’ London, PRIMITIVE LONDON (Arnold L Miller, 1965) veers from glimpses of burlesque shows, to mods and rockers, to ‘wife-swappers’ and back again – this highly amusing peek into a Soho lost to the mists of time is also available on BFI Player.

PASSPORT TO SHAME (AKA ROOM 43) (Alvin Rakoff, 1958) is a B-movie that finds an American London cabbie on a dangerous mission to rescue an innocent French girl tricked into prostitution.

An exposé of late 1950s Soho and the nocturnal world of beatnik coffee shops and illicit strip joints, BEAT GIRL (Edmond T Gréville, 1960) is filled with famous faces: Christopher Lee, Adam Faith, Oliver Reed, Shirley Ann Field, as well as a would-be Bardot in Gillian Hills as the eponymous lead.

Anthony Newley stars in the Uncut Gems of early 60s Brit cinema, THE SMALL WORLD OF SAMMY LEE (Ken Hughes, 1963); he’s a motormouth nightclub MC whose gambling debts are going to result in two broken legs.

PASSPORT TO SHAME, BEAT GIRL and THE SMALL WORLD OF SAMMY LEE will all be available to stream on BFI Player.

No film represents the curdling of 60s fab into early-70s drab like Alfred Hitchcock’s last great shocker FRENZY (1972). While this bracingly dark thriller with the blackest of laughs represents Hitchcock at his most gleefully misanthropic, it’s still a fearsomely entertaining proposition.

Released in the very middle of the 1960s, John Schlesinger’s DARLING (1965) also feels like the very epicentre of the scene. Julie Christie’s Diana Scott seems like the girl who has it all, but being the life of the party isn’t all it’s cracked up to be. Just as the sixties were about to hit full swing, this sharp satire reveals the paper-thin reality of cover-story perfection.

Never has Technicolor felt so woozily, vividly hypnotic than in Michael Powell’s controversial PEEPING TOM (1960), which will also be available on BFI Player; it’s as easy to be seduced by the luscious visuals as the poor victims of Carl Boehm’s psychopath are drawn into their deadly photoshoots.

BITTER HARVEST (Peter Graham Scott, 1963) takes the centrepiece of Patrick Hamilton’s masterly London trilogy of novels, 20,000 Streets Under the Sky, and updates it to the early 60s.


The Pleasure Girls Via BFI

Completing the line-up for the season (and also available on BFI Player) is THE PLEASURE GIRLS (Gerry O’Hara, 1965), an entertaining example of the ‘young girl moves to the big city’ genre that was so common in 1960s British cinema. The film features a cast of very fresh famous faces such as Francesca Annis and Ian McShane, a pre-Doctor Who Anneke Wills, Hammer star Suzanna Leigh and the darkly charismatic Klaus Kinski.

A number of the films in the season will also screen alongside short documentaries from the series LOOK AT LIFE, which were produced in the 1960s by the Rank Organisation to screen in their Odeon and Gaumont cinemas; more than 500 of these shorts offering a glimpse into everyday British life were made and those screening at BFI Southbank will include: MARKET PLACE (1959), RISING TO HIGH OFFICE (1963), GOODBYE PICCADILLY (1967), IN GEAR (1967), COFFEE BAR (1959) and MEMBERS ONLY (1965).

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