On 19 June, 2017, Arrow Video will release Dario Argento’s superb directorial debut, The Bird With the Crystal Plumage, in a Limited Edition Dual Format set, using a brand new 4K restoration from the camera negative and presented in its original 2.35:1 aspect ratio.
Sam Dalmas (Tony Musante, We Own the Night), an American writer living in Rome, inadvertently witnesses a brutal attack on a woman (Eva Renzi, Funeral in Berlin) in a modern art gallery. Powerless to help, he grows increasingly obsessed with the incident.
Convinced that something he saw that night holds the key to identifying the maniac terrorising Rome, he launches his own investigation parallel to that of the police, heedless of the danger to both himself and his girlfriend Giulia (Suzy Kendall, Spasmo).
With sumptuous cinematography by Vittorio Storaro (Apocalypse Now) and a seductive score by legendary composer Ennio Morricone (Once Upon a Time in the West), this landmark film has never looked or sounded better.
Brand new 4K restoration of the film from the camera negative in its original 2.35:1 aspect ratio, produced by Arrow Video exclusively for this release
High Definition Blu-ray (1080p) and Standard Definition DVD presentations
Original mono Italian and English soundtracks (lossless on the Blu-ray Disc)
English subtitles for the Italian soundtrack
Optional English subtitles for the deaf and hard of hearing for the English soundtrack
New audio commentary by Troy Howarth, author of So Deadly, So Perverse: 50 Years of Italian Giallo Films
The Power of Perception, a new visual essay on the cinema of Dario Argento by Alexandra Heller-Nicholas, author of Devil’s Advocates: Suspiria and Rape-Revenge Films: A Critical Study
New analysis of the film by critic Kat Ellinger
New interview with writer/director Dario Argento
New interview with actor Gildo Di Marco (Garullo the pimp)
Reversible sleeve featuring original and newly commissioned artwork by Candice Tripp
Limited edition 60-page booklet illustrated by Matthew Griffin, featuring an appreciation of the film by Michael Mackenzie, and new writing by Howard Hughes and Jack Seabrook