THE GREAT MUSEUM
A film By Johannes Holzhausen
on DVD for the first time from 9 February, 2015
The documentary THE GREAT MUSEUM is a curious, witty and humorous peek behind the scenes at a world-famous cultural institution. Director Johannes Holzhausen and his team spent more than two years gathering material at the Kunsthistorisches Museum in Vienna. Shot in the attentive style of direct cinema – with no off-screen commentary, no interviews and no background music – the film observes the various processes involved in creating a perfect setting for art. From the managing director to the cleaning services team, from the carriers to the art historians, the staff members at the museum are all interdependent cogs in the same machine.
The film offers glimpses of the day-to-day routine at the museum, but focuses primarily on micro-dramas featuring museum employees. For example, a conservator who discovers that a Rubens painting has been painted over several times; another conservator who expresses his despair in mending a model battleship with a few expletives; a member of the guest services team who feels her team is not well integrated at the museum; an elderly head of a collection who is about to head into retirement; an art historian who experiences the thrill and frustration of an auction, and the chief financial officer who thinks the “3” on the new promotional material looks “aggressive”. All this makes the film more than a portrait of a public cultural institution trying to maintain its integrity by balancing between budgetary issues and competitive pressure. THE GREAT MUSEUM also addresses more profound issues: Is it possible to reconcile the conservation of the objects with an up-to-date presentation? What part does art play in the representation of national identity in politics and tourism?
Documentary filmmaker Johannes Holzhausen carefully balances single moments and the overall narration, reproducing the style that has distinguished his previous films. The precise camera work (Joerg Burger, Attila Boa) and poignant editing (Dieter Pichler) serve to create the atmosphere of patient observation and reflection, just as the film’s protagonists are in the service of an institution that will outlast them. And in this sense THE GREAT MUSEUM is also a film about temporality and transience. It relates the museum’s everyday business to its long tradition, which dates back to the Habsburg Monarchy, and the timelessness of art objects.
———————————————————–
———————————————————–
Release Date: 9 February, 2015
Buy Now (click image to buy):
———————————————————–
To celebrate the release, we have 2 x DVD copies of the film to give away courtesy of our friends at Matchbox Films.
To enter, fill out the following form with ‘Museum’ in the subject line, including your full name, address and contact number.
(Due to some competition entry issues from forum click throughs, please ensure you refresh this page before completing the form.)
Competition closes on Wednesday 18th February, 2015
Winners will be notified by phone / email
Best of luck!
———————————————————–
TERMS & CONDITIONS
Please Note: Automated/bulk entries and entries from third parties are not permitted and will be deleted immediately!
– The winner(s) will be drawn at random from all the correct entries, and only they will be contacted personally. Prize must be taken as stated and cannot be deferred. There will be no cash alternatives.
– The Arts Shelf does not accept any responsibility for late or lost entries due to the Internet or email problems. Proof of sending is not proof of receipt. Entrants must supply full details as required on the competition page, and comply with all rules to be eligible for the prizes.
– No responsibility is accepted for ineligible entries or entries made fraudulently.
– The Arts Shelf reserves the right to cancel the competition at any stage, if deemed necessary in its opinion, and if circumstances arise outside of its control.
– Entrants will be deemed to have accepted these rules and to agree to be bound by them when entering this competition.
