XI Edition


Jurors: Lorenzo Codelli, Alexander Horwath, Mark McElhatten, Paolo Mereghetti and Jonathan Rosenbaum, chaired by Peter von Bagh


LATE MIZOGUCHI – EIGHT FILMS, 1951-1956 (Kenji Mizoguchi, Japan) – Eureka Entertainment

The publication of eight indisputable masterpieces in stellar transfers on Blur-Ray is a cause for celebration. If Eureka is not exclusive in offering these individual titles, what makes this collection especially praiseworthy and indispensable is the scholarship, imagination and care that went into the accompanying 344-page booklet. Over 60 rare production stills are included, many featuring Mizoguchi at work. Striking essays by Keiko I. McDonald, Mark Le Fanu, Mori Ogai, and Nakagawa Masako are anthologized along with extensively annotated translations of some of the key sources of Japanese literature that inspired some of Mizoguchi’s late films. The volume closes with tributes to the great director written by Tarkovsky, Rivette, Godard, Straub, Angelopoullos, Shinoda, and others. Tony Rayns provides spoken essays and some full-length commentaries.


PINTILIE, CINEAST (Lucian Pintille, Romania) – Transilvania Films

An impeccable collection devoted to eleven films by an important and neglected maverick Romanian filmmaker, with invaluable contextualizing extras concerning his life, work, and career drawn from ten separate sources.
Among the remarkable and ambitious features are Reconstruction (1968), The

Oak (1992), and An Unforgettable Summer (1994).


IKERIE XB1 (Jindřich Polák, Czechoslovakia, 1963) – Second Run Features

An almost forgotten gem, inspired by a Polish novel by Stanislaw Lem and originally butchered in the West, is rightly considered by Joe Dante “a groundbreaking celestial saga”. It had a strong impact on major SF works of the 60s and 70s such as Kubrick’s 2001, and Second Run offers a stunning restoration of the uncut version, plus some scholarly essays.


3 FILMS BY ROBERTO ROSSELLINI STARRING INGRID BERGMAN (Stromboli, Europe ’51, Journey to Italy, 1950-1954) – Criterion

A superb, definitive edition of three very personal masterworks, with a good many critical, biographical, and historical supplements by many of the best Rossellini scholars and critics, including Adriano Aprà, Richard Brody, Fred Camper, Elena Dagrada, Tag Gallagher, Dina Iordanova, Laura Mulvey, James Quandt, and Paul Thomas, not to mention pertinent contributions by Guy Maddin, Martin Scorsese, and both Rossellini and Bergman and many family members.


JEAN EPSTEIN COFFRET (Le Cinematheque Francaise, Potemkine Films) (TK, PM)

Produced by Potemkine Film, the Cinémathèque française and agnès b. DVD, for the first time the «Jean Epstein» box set offers an opportunity to follow the cinematographic path of the french director. With the films made under the Film Albatros label (1924-1925) as a starting point, the review continues with Epstein’s own productions (1926-1928) and those directed in the period from 1928 to 1948, a series of registrations characterized by the freedom and careless of financial or narrative constraints. Every film included has been restored and musical comments, written specially for the edition, accompany the selection of mute films.

A series of supplements and a profusely illustrated 160-page book complete the eight DVDs set.


Arrow Video, an excellent new label in the U.K., has already given us exemplary editions, with many thoughtful and valuable extras, of several features, including Robert Altman’s The Long Goodbye, Donald Cammell’s White of the Eye, Don Siegel’s The Killers, and many Brian De Palma films.


UNDERGROUND (Anthony Asquith, U.K., 1928) – BFI

Young Anthony Asquith’s “story of ordinary workaday people,” conceived near the end of the silent era, is getting a well-deserved second breath due to a gorgeous BFI restoration. This dual format edition, in both high definition and standard definition, offers many background materials, including rare shorts tracing a cultural history of the British underground train system.


DZIMN SVANTE (SOL’SVANETII & GVOZD’ V SAPOGE (Michail Kalatozov, USSR, 1930-32) – Edition Filmmuseum (PM, TK)

As part of the series edited under the collection «filmmuseum», the Cineteche of Monaco and the Filmmuseum of Vienna in association with the National Archives of Georgia at Tbilisi have join efforts to rescue from l’oubli two unknown films of Michail Kalatozov, whose cinematographic path has still some parts that remain in the dark. The first film, Džim Švantė (Salt for Svanetia) directed in 1930, is a reconstruction of the harsh daily life conditions of the Caucasus mountains peasants. The second title, Gvozd’ v sapoge (A nail in the boot) from 1932, is a parable about the lack of responsiveness in times of war, that constitutes a dreadful anticipation of the Stalin regime purges. Both films were ristored for the occasion and additioned with a musical comment and subtitles in German and English.

The edition is accompanied by a 16-page bilingual booklet (German-English).


The jurors would like to stress that none of us is in a position to know all the important DVD releases, even though all of us have encountered important examples, some of which were not nominated for awards but deserve in any case to be far better known so each of us has selected one or more personal favorites that he would like to recommend.

Lorenzo Codelli’s personal choice is an innovative online museum organized by the city of Valencia which allows visitors to enjoy the complete works of Luis Garcia Berlanga:

Alexander Horwath’s personal pick is POD ZNAČKOU BAT’A, a 3-DVD box set co- published by the Czech National Film Archive with a huge number of shorts made by the BAT’A Corporation in the City of Zlin. It’s a wonderful example of a non-cinema company making public their archive of films.

Mark McElhatten wants to cite the ongoing devotion shown in publishing the extraordinary films of Werner Schroeter in DVD releases by Edition Filmmuseum Munich. Recent releases have included WILLOW SPRINGS paired with DAY OF THE IDIOT and DER BOM BERPILOT with NEL REGNO DI NAPOLI, both releases with many extras. He also wishes to recognize the importance of the underexposed films of Peter Thompson made available through the valiant efforts of Chicago Media Works.

Paolo Mereghetti has selected Alberto Cavallone’s BLUE MOVIE, released on Raro Video.

Jonathan Rosenbaum would like to cite two releases: PETER THOMPSON: 6 CINEMATIC ESSAY& 2 INTERVIEWS (Chicago Media Works, U.S., 1981-2012) and

Alain Resnais and David Mercer’s PROVIDENCE (Jupiter Film, France, 1977). He hastens to add that while he helped to conduct both of the two interviews with the late Peter Thompson included in this set, he originally became friends with Thompson because of his enthusiasm for the passionate originality and beauty of his work. The belated release of one of Resnais’ greatest features includes both the English and the French-dubbed versions (which Resnais supervised), and many fascinating extras, with English subtitles.

Finally, Peter von Bagh has selected FRITZ LANG & L‘AMÉRIQUE – 2 FILMS DE FRITZ LANG: WHILE THE CITY SLEEPS and BEYOND A REASONABLE DOUBT, a DVD box set from Wild Side that includes a 120-page book by Bernard Eisenschitz, La nuit américaine de Fritz Lang.



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